BIO

wavetable

BIOGRAPHY

New York-based artist Liz Phillips has been making interactive multi-media installations for the past 30 years, which combine audio and visual art forms with new technologies to create a fascinating interactive experience. Born in New Jersey in 1951, Phillips received a B.A from Bennington College in 1973. In 1981, she co-founded Parabola Arts Foundation, a not-for-profit organization created by five media artists from varied disciplines (music, sculpture, film, video) which provides funding for art-related projects. Phillips has made and exhibited interactive sound and multimedia installations at numerous art museums, alternative spaces, festivals, and public spaces. These include The Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Spoleto Festival USA, the Walker Art Museum, Ars Electronica, Jacob’s Pillow, The Kitchen, and Creative Time, among others. Phillips has also collaborated with the Merce Cunningham Dance Company, and her work was presented by the Cleveland Orchestra, IBM Japan, and the World Financial Center.

Video Portrait by Joan Logue

CV

Liz Phillips

Lives and works in Queens, New York.

EDUCATION

1969-73    Bennington College, Bennington, Vermont
Bachelor of Arts Degree
Interdisciplinary Major/ Music and Art

SELECTED ONE-ARTIST EXHIBITIONS (ALL RESPONSIVE INSTALLATIONS)

2012
“Biyuu” and “Plant Fields,” UMF Gallery, Farmington, Maine.

2012
“Biyuu,” with performer, Mariko Endo Reynolds, Roulette, Brooklyn, NY

2010
Liz“Here/Hear: Manhattan is an Island.” “Ear to the Earth Festival,” WhiteBox, NY

2008
Liz Phillips, Interdisciplinary Humanities Center Residency, installation and symposium, UC Santa Barbara Link

“Installations by Liz Phillips,” The Richard L. Nelson Gallery, UC Davis

2007
“Ginko Afterglow,” Safe-T Gallery, Brooklyn, NY Link

2004
“Liz Phillips: New Sound Works in the Project Room,” Frederieke Taylor gallery, New York Link

1999
“Echo Evolution,” The Kitchen, New York Link

1993
“Graphite Ground,” Contemporary Art Center, Houston; Texas

1992
“Mersonic Illuminations,” The World Financial Center, New York

1988
“Graphite Ground,” The Whitney Museum, New York Link

1987
“Graphite Ground,”Capp Street Project, San Francisco Link

1985
“Sonar Eclipse,” Jacob’s Pillow, Lee, Massachusetts

1983
“Sunspots,” Wadsworth Atheneum, Hartford, Conn.

1982
“Sound Syzygy,” Walker Art Center, Minneapolis, MN. Link Link

1981
“Windspun,” Creative Time, New York Link Link

1978
“Mersonic Province I,” Stedelijk Museum, Amsterdam

1978
“Mersonic Province II,” Rene Block Gallery, Berlin

1978
“Mersonic Province III,” Hagues Gemeentemuseum,The Netherlands

1977
“City Flow” The City University Graduate Center Mall, New Link

1975
“Broken/Unbroken Terracotta,” The Kitchen, New York

1974
“Sound Structures,” Artist’s Space, New York

1971
“Sound Spaces,” Reese Palley Gallery, San Francisco, California

SELECTED GROUP EXHIBITIONS (ALL RESPONSIVE INSTALLATIONS)

2011
“The Ocean Reglitterized,” Pelham Art Center ,NY.   curator: Titia Hulst

2010
“Here hear Manhattan is an Island”, “Ear to the Earth Festival” White Box, NY
“Niagara Sound Installation for Public Space”, Albright Knox gallery, Beyond/In Western NY” Buffalo, NY.

2008
“Echo Evolution”, “Act/React”, Milwaukee Art Museum, WI.

2007
“Wavetable “;” Sensory Overload”, Milwaukee Art Museum, WI.

2004
“Echo-Location:Queens”,”Queens International”, Queens Museum of Art, NY.

2003
“Wavetable”, Tenth Anniversary, Frederieke Taylor gallery, NYC. Link

2002
“Re-Sound /Sound Screen”, Lincoln Center Festival 2002 and The New York Video Festival, NYC. Link
“Echo Evolution”,”Magic of Light”; Hudson River Museum, Yonkers, NY. Link
“Intermingling”, “Light x Eight”, Jewish Museum, NY. Link

2001
“Shaded Bandwidths”, Creative Time’s Anchorage Show, NY. co / Anney Bonney; “Massless Medium”, Brooklyn, NY. Link
“Shaded Bandwidths” DVD installation. co/ Anney Bonney, Lincoln Center Video Festival, NY. Link
“Suspended Frequencies” Boston Museum School, MA. co/Anney Bonney; “Dangerous Waves”Anderson Gallery.

1998
“Koi”, “Luistervissen”, Ijsbreker, Amsterdam.

1996
“Natural Spectacles,” David Winton Bell Gallery, Brown University, Providence, RI. Link

1992
“Sound Tables II and III,” The Interactive Show Threadwaxing Space, NYC.
“Sound Tables I, II, III,” Ten from Queens”, PaineWebber Gallery, New York, Curated by Queens Museum.

1991
“Ars Electronica “88 and 91,” Brucknerhaus, Linz, Austria. Link

1990
“Pulse 2”; University Art Museum, Santa Barbara, California

1988
“Cymbol” New Urban Landscape; The World Financial Center, New York.

1987
“Cymbol” The Spoleto Festival USA, Charleston, North Carolina.

1986 ,
“Engaging Objects: The Participatory Art of Mirrors, Mechanisms, and Shelters”The Clocktower, New York.

1985
“Whitney Windspun,” 1985 Biennial Exhibition Whitney Museum of American Art, New York.

1984
IBM “Sunspots,” Think Pocket, Japan, Tokyo.

1983
“Sonar Eclipse,” in collaboration with Merce Cunningham Dance Company, Park Avenue Armory, New York.

1982
“Sunspots,” Soundings, Neuberger Museum, Purchase College, NY. Link 

1981
“Sunspots,” New Music America ’81” San Francisco Museum of Modern Art, San Francisco. Link Link

1980
“Windspun for Minneapolis”, “NewMusic America ’80,” Peav y Plaza, Minneapolis

1973
“Sumtime” Everson Museum of Art, Syracuse, New York. Link

1971
“Electronic Banquet,” Eighth Annual New York Avant-Garde Festival” 69th Infantry Regiment Armory, New York.

OTHER LECTURES, RESIDENCIES, AND INSTALLATIONS

Academie der Kunste
Ars Electronica
ArtPark
Boston Museum of Fine Arts
Broward Community College
California Institute of the Arts
Capp Street Project
Cleveland Orchestra
Cooper Union
Harvard University
Jacobs Pillow
Minneapolis College of Art and Design
MIT
Pratt Institute
PS1 Institute for Art and Urban Resources
Riverside Research Institute
San Diego State University
State University of New York at Albany
State University of New York at Plattsburgh
State University of New York at Purchase
Mills College, New York University
University of Maryland Baltimore Campus
University of California at Santa Barbara
Stedelijk Museum
Tyler School of Art, University of Cincinnati
Whitney Museum of American Art
Woodstock Community Video

GRANTS AND COMMISSIONS

2007, 2004, 2000,1988,1986,1984    New York State Council on the Arts/Media
2004    Phaedrus Foundation
2003    Jewish Museum
2000    Franklin Furnace
1987    John Simon Guggenheim Fellowship
1987,1984    National Endowment for the Arts/ Interarts
1985,1983    National Endowment for the Arts/ New Genres
1981,1976    National Endowment for the Arts/ Composer’s Fellowship
1982,1977    Creative Artists Public Service Fellowship/ Mixed Media
1981    Beard Fund

EXHIBITIONS / EVENTS CURATED

2007  Three Women:Architectural Sound Events at Issue Project Room, Brooklyn.
2005  From the Perception Lab/ Sound Show at Pelham Art Center, NY.
2004    “Intermedia Festival”, Gershman Y, Philadelphia (co-curated with John Phillips)
2003    “The Quiet Sound Show”, Richard and Dolly Maass Gallery, Purchase, NY
2003    “Resound”, Boston Museum of Fine Arts (received Purchase Affiliates Grant)
2002    “Resound for Dedicated Loudspeakers” Boston Museum of Fine Arts

PUBLICATIONS

“Harnessing Waves and Elastic Space,”Volume 19, 2009
Leonardo Music Journal 2009 E-ISSN: 1531-4812 Print ISSN: 0961-1215 LINK TO ARTICLE
“On Collaborating with an Audience”   Liz Phillips and Paula Rabinowitz     AC: Collaborative Summer 2005- Spring 2006.LINK TO ARTICLE

SELECTED BIBLIOGRAPHY

Ahlstrom, David. “Liz Phillips:Sunspots Installation at the San Francisco Museum of Modern Art.” Computer Music Journal , Volume 6, Number 3, Fall 1982.
Baker, Kenneth. “Art for the Ears at Capp Street Project”. San Francisco Chronicle, January 1,1988 E2.
Cohen, Randy. “Synapse”.
Close, Roy M. “Zephyr” Liz Phillips”. St Paul Pioneer Press, May 28, 1984.
Concannon, Kevin.” Sound Sculptures ? A Survey of American Work”. Ars Electronica. Link
Howard, Christopher. “Queens International 2004Queens Museum of Art”. The Brooklyn Rail, February 2005. Link
Hughes, Jeffrey. “Liz Phillips”. Contemporary Arts Magazine, Review 19, Volume #63 2004, p.35-43.
Karson, Robin. “Art”. Springfield News, March 10, 1983.
Krewani, Angela. “Immaterialising Sculpture-Transforming Spaces: Liz Phillips sound sculpture”. Artefakte Artefiktionen, 2000, p. 301-311.
La Barbara, Joan. “Hi Fidelity Magazine”.
Lovejoy, Margot. Digital Currents, 3rd Edition 2004.
Mirapaul, Matthew. “Art Festivals Buzz With Digital Deviltry”. NY Times, June 13,2002.
Morrow, Charlie. “Sumtime”. The Soho Weekly News, March 7, 1974 r-11.
Phillips, Patricia. “Liz Phillips Whiney Museum of Art”. Artforum, October 1988 p.147.
Rabinowitz, Paula. “The Sounds of Sculpture / Liz Phillips: new sound works”. NY Arts Magazine.#82, 2004. Link
Rabinowitz, Paula. “The Sound of Reformed Space, Liz Phillips’s Responsive Installations”. Performance Art Journal “, MIT Press, PAJ #72.
Reveaux, Tony. “The Responsive Rocks”. Art Week, December 26, 1987 Volume 18 Page 5.
Roads, Curtis. “Liz Phillips: Windspun”. Computer Music Journal Fall, 1981 Volume 5 Number 3.
Rockwell, John. “Avant-Garde: Liz Phillips Sound”. The New York Times, Thursday May 14, 1981.
Sakane, Itsuo. “Asahi Shimbun” March 28, 1980.
Sanders, Linda. ” Catching the Night Plain Sonic Syzygy “. The Village Voice, Vol XXX No.35 August 27, 1985.
Singer, . “Talk of the Town” Output. The New Yorker , April 18, 1977.
Zimmer, William. “Liz Phillips Frontier Composting Site, Hunts Point, Bronx; permanent installation”. The Soho News, May 20, 1981.
Zummo, Peter. “Soho Weekly News”

SELECTED RADIO AND TELEVISION APPEARANCES

Motherboard TV
Innovations Series on Art & Technology Liz Phillips  “Graphite Ground” 1988.
Fuji Television Series ” Art & Technology”  curated by Itsuo Sakane. 1981.
“Soundings” by Kit Fitzgerald and John Sanborn 1983.
“New Music America – Minneapolis”, Skip Blumberg.
“Sound Syzygy”. Walker Art Center, James Byrne 1983.
“Interview with Sound Artist Liz Phillips”, Terry Gross 1974. WBFO Radio 1974 Radio Interview with Terry Gross
Ars Electronica

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